Richard Holloway was Bishop of Edinburgh and Primus of the Scottish Episcopal Church. A former Gresham Professor of Divinity and Chairman of the Joint Board of the Scottish Arts Council and Scottish Screen, he is a fellow of the Royal Society of Edinburgh. His books include On Forgiveness, Looking in the Distance, The Heart of Things, Stories We Tell Ourselves, Waiting for the Last Bus and Leaving Alexandria, which won the PEN/Ackerley Prize 2013 and was shortlisted for the Orwell Prize 2013. Richard Holloway has written for many newspapers in Britain, including The Times, Guardian, Observer, Herald and the Scotsman. He has also presented many series for BBC television and radio.
‘To what degree can we manage our death - or is it mostly out of our hands? This rich series of reflections is the product of decades of contemplation and pastoral responsibility and it gently nudges us to contemplate last things, even we are inclined perhaps not to.’
RTÉ
“Richard Holloway is going to die. I, too, am going to die, and so, dear reader, are you. Holloway’s new book is a plangent and profound meditation on the ultimate inevitability.”
Stuart Kelly
Scotsman
“Because Holloway’s attachment to the rigid formulas of religious faith has loosened in the years since his retirement – he refers to himself as a “doubting priest” – he is the perfect inclusive guide to death. The free-flowing structure he adopts as he goes about his task is elegant, elegiac and thought-provoking; questions not answers, interspersed with material from a range of writers – WH Auden, Philip Larkin, C Day-Lewis, Edward St Aubyn and Atul Gawande.”
Observer
“Holloway has not died, but has spent the past few years — indeed, much of his life — thinking deeply about death, the result of which is a new book, Waiting for the Last Bus. He is also an avid reader of other people’s obits, which is why he has agreed to contribute to this, a first draft of his own. ‘I love the obituary as an art form,’ he says. ‘Done well, it’s like a short story, an encapsulation of a complex life.’”
Peter Ross
The Times