In a few words
An acclaimed collection of stories from the internationally bestselling author of The Crimson Petal and the White
In a few words
An acclaimed collection of stories from the internationally bestselling author of The Crimson Petal and the White
By turns crepuscular, buoyant, delicate, wry, horrific, otherworldly, this worldly and organ-rupturingly funny collection is a vitamin-boost for the British short-story
David Mitchell
GuardianIf you want to see just how far the short story can take you, you have to buy this book
David Robinson
The ScotsmanNo only can he scare the bejesus out of you, he can make your heart swell ... Mr Faber, you have officially got under our skin.
I dread to think where Faber gets his inspiration from, but there's certainly no shortage of it in sight.
More about
the book
Deft and lyrical, this paperback edition of Michel Faber’s collection of stories is his first since his auspicious debut, Some Rain Must Fall. It has sealed his reputation as one of Britain’s most daring and original authors.
Acclaimed for his pitch-perfect prose and brilliant characterisation, Faber is also celebrated for his mastery of contrasting styles. From achingly sad lost lives, through moments of exquisitely distilled happiness, to biblical innocence and savagery, Faber’s characters are redeemed, abandoned, beloved and laid bare.
More about
the book
Deft and lyrical, this paperback edition of Michel Faber’s collection of stories is his first since his auspicious debut, Some Rain Must Fall. It has sealed his reputation as one of Britain’s most daring and original authors.
Acclaimed for his pitch-perfect prose and brilliant characterisation, Faber is also celebrated for his mastery of contrasting styles. From achingly sad lost lives, through moments of exquisitely distilled happiness, to biblical innocence and savagery, Faber’s characters are redeemed, abandoned, beloved and laid bare.
As always with Faber, these stories are lifted by a delicate sense of otherness that suggest they inhabit a world almost imperceptibly parallel to our own
I dread to think where Faber gets his inspiration from, but there's certainly no shortage of it in sight
Michel Faber at his uncanny best.
Here is a writer who can compare with Conrad in his ability to write the perfect sentence.