Ragnarok The End of the Gods
- 6 Jun 2019
- 9781786894526
- £9.99
- 192 pp
- 129×198mm
- 15 Sep 2011
- 9780857863621
- £17.99
- 3 hrs 30 min
- 6 Aug 2011
- 9781847679659
- £7.99
- 192 pp
In a few words
An odyssey of childhood, mythology and the imagination from the Booker Prize-winning author of Possession and The Children’s Book
In a few words
From the author of Possession and The Children’s Book comes an extraordinary tale, inspired by the myth of Ragnarok read by Harriet Walter
In a few words
An odyssey of childhood, mythology and the imagination from the Booker Prize-winning author of Possessionand The Children’s Book
Lyrical and urgent
Brilliant, highly intelligent, fiercely personal . . . Gorgeous
Ursula K. Le Guin
Byatt's prose is majestic, the lush descriptive passages - jeweled one minute, gory the next - a pleasure to get lost in
Byatt paints beautiful and fantastic word-pictures, glittering verbal special effects
Allan Massie
ScotsmanByatt's prose is majestic, the lush descriptive passages - jeweled one minute, gory the next - a pleasure to get lost in
Byatt paints beautiful and fantastic word-pictures, glittering verbal special effects
Allan Massie
ScotsmanMore about
the book
As the bombs rain down in the Second World War, one young girl is evacuated to the English countryside. Struggling to make sense of her new wartime life, she is given a copy of a book of ancient Norse myths and her inner and outer worlds are transformed.
Linguistically stunning and imaginatively abundant, Byatt’s mesmerising tale – inspired by the myth of Ragnarok –is a landmark piece of storytelling from one of the world’s truly great writers.
The Myths series brings together some of the world’s finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.
More about
the book
As the bombs rain down in the Second World War, one young girl is evacuated to the English countryside. She is struggling to make sense of her new wartime life. Then she is given a copy of Asgard and the Gods – a book of ancient Norse myths – and her inner and outer worlds are transformed. War, natural disaster, reckless gods and the recognition of impermanence in the world are just some of the threads that A.S. Byatt weaves into this most timely of books. Just as Wagner borrowed from this dramatic Norse saga for the climax of the Ring Cycle, so Byatt reinvents it for our time in all its intensity and glory. Linguistically stunning and imaginatively abundant, this is a landmark piece of storytelling from one of the world’s truly great writers.
More about
the book
As the bombs rain down in the Second World War, one young girl is evacuated to the English countryside. Struggling to make sense of her new wartime life, she is given a copy of a book of ancient Norse myths and her inner and outer worlds are transformed.
Linguistically stunning and imaginatively abundant, Byatt’s mesmerising tale – inspired by the myth of Ragnarok – is a landmark piece of storytelling from one of the world’s truly great writers.
Byatt has made . . . an entire world, compressed but energetically alive in all its details. When we have artists like this, who needs gods?
Byatt's prose is majestic, the lush descriptive passages – jewelled one minute, gory the next – a pleasure to get lost in
Byatt's writing, impassioned and liberated from the strictures of the novel, has never been so beautiful
Byatt's prose, compact and lyrical, treats the gods with dignity . . . Ragnarok is a clever, lucid, lovely book
Colour and sensation flood Byatt's writing . . . One of the most brilliant minds and speakers of our generation.
Byatt's prose, compact and lyrical, treats [the gods] with dignity...Ragnarok is a clever, lucid, lovely book
M. John Harrison
GuardianThanks to a rare fusion of imagination and intellect, sensual poetry and cerebral prose, youthful joy and elderly wisdom [,Byatt has made]...an entire world, compressed but energetically alive in all its details. When we have artists like this, who needs gods?
Peter Conrad
ObserverByatt peels back the cover of the book that the girl reads and takes us deep inside it as she delights in reimagining the twilight of the gods and the destruction of the world. ... Like Wagner before her, [she] dares to dream how the world might end ... this rewriting of the Ragnarok is a story for our time of overpopulation and anthropomorphic climate change, and of all time
Colour and sensation flood Byatt's writing . . . One of the most brilliant minds and speakers of our generation.
Byatt's prose, compact and lyrical, treats [the gods] with dignity...Ragnarok is a clever, lucid, lovely book
M. John Harrison
GuardianThanks to a rare fusion of imagination and intellect, sensual poetry and cerebral prose, youthful joy and elderly wisdom [,Byatt has made]...an entire world, compressed but energetically alive in all its details. When we have artists like this, who needs gods?
Peter Conrad
ObserverByatt peels back the cover of the book that the girl reads and takes us deep inside it as she delights in reimagining the twilight of the gods and the destruction of the world. ... Like Wagner before her, [she] dares to dream how the world might end ... this rewriting of the Ragnarok is a story for our time of overpopulation and anthropomorphic climate change, and of all time